Articles
SLC-2L-11: The "Magic" of Medium Format
Strobist
There's something about shooting medium format — especially in black and white. The look is unmistakeable: creamy highlights supported by lush, detailed shadows.
So it's perfectly understandable why many photographers shell out big bucks for pricey medium format gear. In fact, it's possible that some of you are at this very moment casually thinking about how cool it would be to shoot with a MF camera system.
And why not? I mean, don't you deserve it?
Except for, a) the photo above was shot with a small-chip Fuji, and b) those shadow gradients were made with a second, $69 speedlight.
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